Marie Bashikirtseff – The Meeting
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The composition is structured by the verticality of the fence and the man’s posture, which creates a sense of authority or dominance. The boys are smaller in scale, visually emphasizing their subordinate position relative to the adult male figure. Their clothing suggests poverty; some wear patched garments, while others appear undernourished. The dirt on their faces and clothes reinforces this impression of hardship.
The fence itself acts as both a physical barrier and a symbolic one, separating the boys from something beyond – perhaps a more privileged world or simply another part of their neighborhood. The gate within the fence is closed, further suggesting exclusion. Behind the fence, glimpses of buildings are visible, hinting at a broader urban landscape.
The subtexts embedded in this painting revolve around themes of class disparity and the transmission of adult behaviors to children. The man’s smoking, an act often associated with adulthood and potentially with less desirable habits, is presented as something that captivates the boys attention. It suggests a potential for emulation or a cautionary lesson about the allure of forbidden practices. The cane-leaning boy’s detached stance could be interpreted as cynicism or a premature understanding of social dynamics.
The overall tone is one of quiet observation and understated social commentary. There is no overt judgment, but rather an invitation to contemplate the complexities of childhood, poverty, and the subtle ways in which societal norms are passed down through generations. The muted color palette contributes to this sense of realism and melancholy.