Lochner, Stephan (German, approx. 1405-1451) German artists

The diptych presents two figures set against a densely patterned gold background, characteristic of late medieval devotional art. On the left panel, a woman is depicted kneeling before a table or lectern. She wears a long, flowing white garment and a veil that frames her face, drawing attention to her serene expression and downcast gaze. A golden halo encircles her head, signifying her sanctity. Above her, hovering near the top of the composition, is a small, stylized bird – likely intended as a dove. The table holds several books, suggesting scholarship or contemplation. Behind the woman, a glimpse of an interior space can be discerned, including what appears to be a vase with foliage and a partially visible architectural element.
The right panel features another figure seated on a throne-like structure. This individual is adorned in elaborate robes – red and white – and holds a rolled scroll or document. A large, feathered wing extends from their back, immediately identifying them as an angelic being. The face exhibits a similar expression of quiet contemplation to the woman on the left panel. The drapery falls in graceful folds, creating a sense of volume and movement.
The composition’s division into two distinct panels suggests a narrative or thematic pairing. The gold background serves not only as a decorative element but also emphasizes the figures otherworldly status, distancing them from earthly concerns. The presence of books on the left panel might allude to knowledge, prophecy, or divine revelation. The scroll held by the figure on the right could symbolize communication from a higher power or the transmission of sacred messages.
The overall effect is one of solemnity and reverence, inviting viewers into a space of quiet devotion and contemplation. The meticulous detail in rendering the fabrics and facial expressions underscores the artist’s skill and the importance placed upon these figures within their religious context.