The Cessation of the Schism of Anacletus Antonio Pietro da Pietri (1663-1716)

Here we observe a complex composition centered around a moment of reconciliation and divine intervention. The scene unfolds on a grand architectural staircase, suggesting a setting of significant authority and public importance. A central figure, clad in white vestments and holding a staff, appears to be presiding over the event. He extends his hand towards a man kneeling before him, seemingly offering forgiveness or acceptance. This gesture is emphasized by the surrounding crowd, which displays a range of emotions – sorrow, repentance, hope, and relief.
The artist has arranged the figures in layers, creating depth and drawing attention to the central interaction. To the left, a woman prostrates herself, her face buried in her hands, conveying deep remorse or despair. Further back, other individuals appear to be pleading or seeking absolution. The composition is not uniformly lit; areas of shadow contrast with brighter zones illuminating key figures, further highlighting their emotional states and roles within the narrative.
Above the proceedings, a celestial presence manifests as an angel bearing a palm branch – a traditional symbol of victory and peace. This heavenly figure reinforces the idea that the reconciliation taking place below is not merely a human event but one sanctioned by divine grace. The background reveals a distant cityscape, suggesting a broader societal context for this localized act of forgiveness.
A soldier stands to the right, holding a banner emblazoned with a cross. His presence introduces an element of power and perhaps even authority beyond the religious sphere, hinting at the potential political or military implications of the schism’s cessation. The overall effect is one of solemnity and resolution, portraying a moment where division is overcome through faith and forgiveness, under the watchful gaze of the divine.

The palette leans towards warm earth tones – ochres, browns, and reds – which contribute to the paintings sense of gravity and historical weight. The use of light and shadow creates dramatic contrasts that emphasize the emotional intensity of the scene.