Ambrosius Benson – Portrait of Anne Stafford
c.1535 oil on panel
Location: Art Museum, Saint Louis.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman’s attire suggests a position of some social standing. A high-necked, stiffly starched linen collar frames her face, while a voluminous headpiece, meticulously rendered with folds and shadows, draws attention to her upper body. The dark velvet gown is adorned with what seems to be fur trim at the shoulders, adding an element of luxury. Her sleeves are particularly noteworthy; the rich red fabric is intricately patterned with a subtle texture that catches the light, creating visual interest.
In her hands, she holds a string of beads, likely a rosary. This detail introduces a layer of religious significance and hints at piety or devotion. The way she clasps them suggests a deliberate gesture, perhaps intended to convey modesty or spiritual contemplation. Her fingers are delicately rendered, revealing an attention to anatomical accuracy characteristic of the period.
The woman’s facial features are carefully observed: her skin is pale, with subtle modeling that defines her cheekbones and jawline. The eyes possess a certain intensity, though they lack overt emotion; rather, they convey a sense of quiet dignity and perhaps a touch of melancholy. Theres an impression of restraint in her expression, suggesting a cultivated composure expected of women within the social hierarchy she inhabits.
The overall effect is one of solemnity and understated elegance. The painting seems to aim not for overt display but rather for a portrayal of inner character and status. It’s likely intended as a record of identity – a visual declaration of lineage, virtue, and belonging within a specific societal context.