Johan Cuyermans * Anselm van Hulle (1601-1674)

The portrait presents a man facing forward, his gaze directed towards the viewer. He is positioned against a dark, indistinct background that fades into shadow, drawing attention solely to the figure. The composition adheres to a traditional three-quarter pose, common in formal portraits of the period.
Here we see a gentleman dressed entirely in black; the somber color scheme contributes to an atmosphere of formality and perhaps even austerity. A high, stiff collar frames his face, emphasizing its shape and adding to the overall sense of rigid propriety. His hair is long, styled with waves that cascade around his shoulders, a fashionable detail indicative of the era. The facial features are rendered with careful attention to detail: a prominent nose, full lips, and a neatly trimmed mustache and beard contribute to an impression of authority and self-assurance. A decorative brooch or badge adorns his coat near the collar, suggesting membership in a specific order or affiliation – a visual marker of status and belonging.
The lighting is focused on the face and upper torso, creating highlights that accentuate the texture of the skin and fabric. The shadows are deep and enveloping, contributing to the dramatic effect and obscuring any details beyond the immediate subject.
A handwritten inscription appears at the bottom edge of the image, partially obscured by the figure’s cloak. Its presence suggests a documentary purpose – a record intended for posterity or identification. The script itself is characteristic of handwriting from the period, adding another layer of historical context to the work.
Subtly, the portrait conveys an impression of quiet power and established social standing. The mans direct gaze establishes a connection with the viewer, suggesting confidence and perhaps even a degree of challenge. The overall effect is one of dignified restraint, characteristic of formal portraits intended to project an image of respectability and authority within a hierarchical society.