Francisco d’Andrade Søgo, delegate from Portugal * Anselm van Hulle (1601-1674)

The portrait presents a man in formal attire against a dark, undifferentiated background. He is positioned centrally within the frame, his gaze directed towards the viewer with a directness that establishes a sense of authority and perhaps expectation. The lighting is even, illuminating his face and upper torso without creating strong contrasts or dramatic shadows.
Here we see a carefully cultivated appearance: neatly trimmed hair, meticulously shaped mustaches extending outwards in a characteristic style, and a full, pointed beard, all contributing to an image of controlled masculinity and refinement. His clothing consists of a black garment with a prominent, starched white collar – a detail indicative of status and adherence to contemporary fashion. A medallion hangs from his neck, suspended by a chain; the emblem on the medallion is partially visible, suggesting membership in an order or association of significance. The presence of this insignia reinforces the subject’s position within a hierarchical structure.
The artist has rendered the skin tones with a degree of realism, though theres a slight pallor that could be interpreted as either a stylistic choice or a reflection of the sitter’s complexion. The eyes are particularly noteworthy; they convey an impression of intelligence and perhaps a certain guardedness.
Above the figure, inscribed in script, is a name and title – Francisus De Andrade Regis Portugalliser abgefanten – which provides contextual information about his identity as a representative or delegate from Portugal. This inscription serves to solidify his role within a political or diplomatic context. The overall effect of the portrait is one of dignified formality, intended to convey respectability, competence, and allegiance to a particular realm. It’s likely commissioned to serve as an official record or a symbol of status for both the individual and the entity he represents.