Maximilian von Trauttmansdorff and Weinsberg (1584-1650) * Anselm van Hulle (1601-1674)

Here we observe a portrait depicting a man in formal attire, presented within an oval frame. The subject is positioned centrally, facing forward with a direct gaze towards the viewer. He appears to be middle-aged, characterized by a receding hairline and a neatly trimmed mustache and goatee. His expression conveys a sense of seriousness and perhaps restrained authority.
The man’s clothing consists of a dark, possibly black, coat or doublet, accented by a crisp white linen collar – a common feature in portraiture of the period signifying status and refinement. A chain, likely indicative of an order or office held by the sitter, is visible at his neck. The lower portion of the figure reveals legs clad in dark hose, suggesting a full-length depiction that has been cropped.
The oval frame itself is dark, almost black, which serves to isolate the subject and emphasize his presence. Inscribed around the perimeter of the frame are Latin words: Comes Trauttmansdorff leg Cas Maximilianus. This inscription identifies the individual as “Count Trauttmansdorff” and indicates that the portrait was commissioned or created by someone named “Cas.” The use of Latin suggests a deliberate effort to convey prestige and erudition, aligning with the conventions of aristocratic self-representation.
The lighting is relatively even, though there are subtle gradations in tone that define the contours of his face and clothing. This contributes to a sense of realism while maintaining a degree of formality. The artist has rendered the skin tones with careful attention to detail, suggesting an attempt at capturing a likeness rather than idealizing it.
Subtly, the portrait communicates notions of nobility, power, and social standing. The formal pose, the elaborate attire, and the Latin inscription all work together to construct an image of a man who is both respected and influential within his society. The direct gaze establishes a connection with the viewer, inviting recognition and perhaps even deference.