August Strindberg (1849-1912) – Storm in the Skerries. The Flying Dutchman Kobenhavn (SMK) National Gallery of Denmark

The canvas presents a scene dominated by turbulent water and oppressive skies. A horizontal expanse of dark grey and charcoal tones establishes the overall mood – one of foreboding and unrest. The artist employed a vigorous impasto technique; thick layers of paint are applied with visible brushstrokes, creating a palpable sense of movement and energy across the surface.
The lower portion of the composition is largely obscured by the churning water, rendered in shades of deep blue-green and black. Foamy crests break through the surface, suggesting powerful currents and an unrelenting force. These waves are not depicted with precise detail but rather as a mass of agitated texture, contributing to the feeling of chaos.
Above this watery expanse, the sky is equally dramatic. Swirling clouds, painted in varying shades of grey and white, seem to press down upon the scene. The lack of clear horizon lines further intensifies the sense of confinement and disorientation. Light appears as fleeting glimpses within the cloud cover, offering only momentary respite from the pervasive gloom.
The color palette is restricted primarily to cool tones – greys, blues, greens, and blacks – which reinforce the somber atmosphere. Small areas of warmer ochre or brown are visible near the bottom edge, hinting at submerged rocks or landmasses, but these are quickly swallowed by the surrounding darkness.
Subtly, a sense of isolation pervades the work. The absence of human figures or any recognizable landmarks emphasizes the vulnerability of anyone caught within this elemental struggle. One might interpret the scene as an allegory for inner turmoil, representing overwhelming emotions or existential anxieties. The relentless motion and lack of visual anchors suggest a feeling of being adrift, lost in a world beyond ones control. The painting evokes not just a storm at sea but also a psychological tempest.