Wilhelm Bendz (1804-28) – A Young Artist (Ditlev Blunck) Examining a Sketch in a Mirror Kobenhavn (SMK) National Gallery of Denmark

The composition presents a young man within what appears to be an artists studio. He is positioned in profile, intently scrutinizing a sketch held before him, which is reflected in a large, ornate mirror dominating the left side of the canvas. The mirror’s reflection reveals not only the sketch but also a secondary figure – seemingly another young man – observing with a contemplative expression. This layering creates an immediate sense of introspection and self-assessment.

The studio itself is cluttered with the paraphernalia of artistic creation: easels, brushes arranged in a wooden box, a palette bearing traces of pigment, and various sketches pinned to the wall. A plaster bust stands on a table alongside a stark still life element – a human skull – which introduces an undertone of mortality and the transience of existence, common motifs within artistic traditions. The presence of a birdcage, empty in this scene, adds another layer of symbolic complexity; it could represent aspiration, confinement, or perhaps lost inspiration.

The young man holding the sketch is dressed simply, suggesting a focus on his craft rather than ostentation. His posture and focused gaze convey dedication and seriousness. The figure reflected in the mirror appears more relaxed, almost detached from the immediate task at hand. This contrast might suggest a dialogue between the artist’s self-perception and an external evaluation or perhaps a representation of different facets of the creative process – the active creation versus the critical assessment.

The lighting is carefully orchestrated to highlight key elements. The light source appears to be coming from the left, illuminating the young mans face and drawing attention to the sketch he holds. Shadows deepen in the background, creating a sense of depth and contributing to the overall atmosphere of quiet contemplation.

Subtly, the painting explores themes of artistic identity, self-reflection, and the burden of legacy. The inclusion of the skull serves as a memento mori, reminding the viewer – and perhaps the artist himself – of the fleeting nature of life and the importance of creating something lasting. The mirror acts not merely as a reflective surface but as a portal to another perspective, prompting questions about authenticity, perception, and the complexities inherent in artistic creation.