A sketch of the scenery for J. B. Molière’s comedy Don Giovanni. Village near the sea Alexander Golovin (1863-1930)

The composition presents a coastal village scene, seemingly intended as stage design for a theatrical production. The perspective is somewhat flattened, suggesting a deliberate distancing from realistic representation and prioritizing visual impact over spatial accuracy. A prominent archway dominates the foreground, framing a view of the sea beyond. This architectural element serves not only to define the space but also to create a sense of depth, albeit an unconventional one.
The buildings themselves are rendered in stark white, contrasting sharply with the blue sky and the darker foliage on the left side of the canvas. The architecture appears Mediterranean in character, with rounded forms, terracotta roofs, and decorative details that evoke a sense of sun-drenched antiquity. However, these elements are presented in a simplified, almost schematic manner, suggesting an emphasis on atmosphere rather than precise architectural detail.
The color palette is restrained, relying primarily on blues, whites, and greens. The blue sky appears somewhat muted, contributing to a melancholic or contemplative mood. The limited range of colors reinforces the impression of a stylized environment, further distancing it from naturalism.
Subtly, theres an ambiguity inherent in the scene. While the setting suggests a place of leisure and beauty – a village by the sea – the starkness of the architecture and the subdued color scheme introduce a note of unease or even isolation. The archway, while framing a picturesque view, also acts as a barrier, hinting at confinement or separation. Given its intended purpose as scenery for a comedy, this juxtaposition of idyllic setting and underlying tension is likely deliberate, designed to create a complex emotional landscape for the unfolding drama. The overall effect is one of carefully constructed artifice, where beauty is tempered by a sense of melancholy and theatricality.