Seville street. Sketch of scenery for opera Carmen by G. Bizet Alexander Golovin (1863-1930)

The work presents a bustling urban scene, likely intended as a preparatory sketch for a theatrical production. Here we see a narrow street receding into the distance, flanked by buildings exhibiting a distinct architectural character. The structures are predominantly white-washed with touches of color – ochre, green, and blue – suggesting a Mediterranean climate and locale. Balconies jut out from several facades, adding depth and visual complexity to the composition.
The artist employed a loose, expressive brushstroke, prioritizing atmosphere over precise detail. This technique lends an immediacy and vibrancy to the scene, conveying a sense of movement and energy. The color palette is dominated by cool tones – blues and greens – which are punctuated by warmer hues in the shopfronts and clothing of the figures.
Several individuals populate the street; some appear to be engaged in conversation while others move purposefully along the thoroughfare. Their attire, particularly the long skirts and shawls worn by several women, hints at a specific cultural context. The presence of signage on one storefront – Salón de Baile y Profesor – further reinforces this impression, suggesting a place of dance instruction or social gathering.
The perspective is slightly elevated, allowing for a broader view of the street and its surroundings. This vantage point also contributes to the feeling of depth and distance. The sky above is rendered in broad strokes of blue, with hints of cloud cover adding texture and visual interest.
Subtly, theres an underlying tension within the scene. While seemingly ordinary, the sketch’s purpose as a design for an opera suggests a narrative context – a backdrop to drama and potentially conflict. The hurried pace of the figures, combined with the somewhat claustrophobic nature of the street itself, implies a sense of urgency or impending events. The loose brushwork and vibrant colors contribute to this feeling, preventing the scene from appearing entirely tranquil. It’s not merely an observation of place but a visual cue for a story about to unfold.