Svetlitsa. Morning (Prologue). Sketch of the scenery for the opera by N.A. Rimsky-Korsakov Woman of Pskov Alexander Golovin (1863-1930)

The drawing presents a complex interior space, likely intended as a stage setting. Here we observe a room characterized by arched doorways and a high ceiling, creating a sense of depth and grandeur. The architectural elements are rendered with a loose, almost improvisational quality, suggesting a preliminary sketch rather than a finished design.
A dominant color scheme of ochre, brown, and muted greens pervades the scene, lending it an atmosphere of antiquity and perhaps even melancholy. Light enters from unseen sources, illuminating portions of the walls and floor while leaving others in shadow. This uneven lighting contributes to the overall feeling of mystery and subdued drama.
The artist depicted a series of doorways leading further into the structure, hinting at hidden spaces and untold stories beyond what is immediately visible. These openings are not symmetrical or uniform, adding to the sense of irregularity and organic growth within the architecture. A large, ornate chest sits prominently in the foreground, its red surface providing a stark contrast against the surrounding earth tones. This object seems to hold significance, potentially representing accumulated wealth, secrets, or even burdens.
The ceiling is decorated with intricate patterns that are difficult to discern precisely due to the sketchs style and the play of light and shadow. These decorations suggest a level of sophistication and cultural richness within this space. The overall impression is one of a place steeped in history, possibly a location of ritual or significance for the narrative it serves.
Subtly, there’s an implication of enclosure and confinement. While the arches offer visual pathways, they also define boundaries, suggesting that the inhabitants of this space are both protected and restricted. The lack of visible figures amplifies this sense of isolation; the room feels inhabited by a past presence rather than current occupants. The sketchs unfinished quality further reinforces the idea of something incomplete or in transition – a prologue to an unfolding story.