#11875 Raymond Daussy (1918-)

The composition presents a solitary male figure positioned centrally within a stark architectural setting. He stands with his back turned towards the viewer, obscuring his face and directing our gaze toward the prominent circular emblem affixed to his shoulder blade. The figures musculature is rendered with precision, suggesting physical strength and vitality, yet the posture conveys an air of resignation or stoicism rather than overt power.
The backdrop consists of a series of geometric structures – walls and what appear to be window frames – constructed from pale stone and concrete. These elements are arranged in a manner that emphasizes their rigidity and uniformity, creating a sense of confinement and institutionalization. The dark void surrounding the architectural forms intensifies this feeling of isolation.
The circular emblem on the figure’s back is immediately striking. Its concentric rings – red, white, and black – recall targets used for archery or shooting practice. This visual association introduces an element of vulnerability and potential threat. It suggests that the individual is being observed, scrutinized, or even marked as a target for judgment or action.
The painting’s palette is restrained, dominated by muted earth tones – browns, creams, and grays – which contribute to its somber mood. The limited color range further emphasizes the starkness of the scene and reinforces the sense of detachment.
Subtextually, the work appears to explore themes of individuality versus conformity, surveillance, and the potential for dehumanization within structured environments. The figure’s averted gaze implies a deliberate avoidance of confrontation or scrutiny, while the target emblem suggests an imposed identity or role that he may not have chosen. The architectural setting reinforces this sense of being trapped within a system beyond his control. Ultimately, the painting invites contemplation on the relationship between the individual and societal forces, raising questions about agency, vulnerability, and the nature of observation itself.