Francesco Bassano – Shepherd with flute
1580~1590
Location: Academy Carrara (Accademia Carrara), Bergamo.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The young man’s expression is complex; he appears lost in thought, perhaps listening intently to an internal melody or observing something beyond the viewers perception. His gaze is directed upwards and to the side, suggesting a state of distraction or contemplation. The slight furrowing of his brow and the subtle tension around his mouth contribute to this sense of inward focus.
He holds a wooden flute in his hands, its surface rendered with meticulous detail that highlights the grain and texture of the wood. His fingers are carefully positioned as if he is about to play, or has just ceased playing, a tune. The instrument itself becomes symbolic – representing pastoral life, music, and perhaps even inspiration.
The artist’s use of light is particularly noteworthy. A strong light source illuminates the left side of the young mans face, creating dramatic contrasts between light and shadow. This chiaroscuro effect not only enhances the three-dimensionality of his features but also contributes to a sense of drama and emotional depth. The highlights on his skin suggest youthfulness and vitality, while the shadows hint at underlying melancholy or complexity.
The costume further reinforces the subject’s identity as a shepherd. He wears a simple cap with what appears to be a feather tucked into it, along with a tunic-like garment secured by a cord around his neck. The clothing is rendered in muted tones of brown and olive green, which harmonize with the overall color palette and contribute to the paintings rustic atmosphere.
Subtly, there’s an element of idealized beauty present. While the subject appears naturalistic, certain features – the symmetry of his face, the smoothness of his skin – suggest a deliberate striving for aesthetic perfection. This blending of realism and idealization is characteristic of artistic conventions aimed at elevating commonplace subjects to a higher level of significance. The painting seems to explore themes of solitude, contemplation, and the beauty found in simple rural existence.