Benjamin West – The Expulsion of Adam and Eve from Paradise
1791, retouched 1803. 48×72 cm
Location: Art Institute, Chicago.
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The woman beside him mirrors his despair, her gaze directed downwards, her posture indicating both vulnerability and resistance to the forceful movement. Her hand rests on the man’s arm, perhaps an attempt at comfort or solidarity amidst their expulsion. The angels pose is assertive; one arm extended outward as if to physically shove them away, while the other is raised in a gesture that could be interpreted as either warning or condemnation. The angel’s hair is vividly red, a striking detail that draws attention and potentially signifies passion or divine wrath.
The background is divided into distinct zones. Behind the figures, a swirling vortex of dark clouds obscures any clear view, hinting at an uncertain future and the unknown hardships awaiting them beyond this threshold. To the right, partially obscured by the darkness, another angelic figure can be discerned, seemingly observing the scene from a distance. This secondary presence adds to the sense of judgment and divine oversight.
At the bottom of the slope, a serpent slithers across the ground, its form subtly integrated into the landscape. Its inclusion is significant; it serves as a visual reminder of the transgression that precipitated this expulsion – the temptation and subsequent disobedience that led to their downfall. The composition’s use of light and shadow reinforces the narratives emotional weight. The bright illumination focused on the figures contrasts sharply with the encroaching darkness, symbolizing the loss of innocence and the transition from grace to a world fraught with challenges.
The overall impression is one of profound sorrow, regret, and the irreversible consequences of human action. The artist has skillfully employed gesture, composition, and lighting to convey a powerful sense of drama and emotional intensity, exploring themes of sin, punishment, and the loss of paradise.