Sketchbook Drawing Charles Samuel Keene (1823-1891)

The drawing presents a figure in profile, rendered with a rapid and economical line. The subject appears to be a man, dressed in what seems to be formal attire – trousers and a jacket, suggested by the lines delineating the lapels and pockets. He is positioned at an angle relative to the viewer, his body turned slightly away, suggesting a moment of contemplation or observation.
The artist’s hand moves swiftly across the page; details are minimal, yet sufficient to convey form and posture. The face, though sketched with broad strokes, hints at a certain gravitas – a strong jawline and pronounced brow suggest an individual of some authority or experience. The hands are particularly noteworthy: one is clasped behind the back, a gesture often associated with thoughtfulness or restraint; the other holds what appears to be a small object, perhaps a document or a piece of correspondence.
A small, almost whimsical detail sits in the upper left corner – a quick sketch of a hat, seemingly detached from the main subject. This addition introduces an element of lightness and spontaneity into the otherwise serious depiction. It could be interpreted as a playful aside by the artist, a momentary distraction from the central figure’s solemnity.
The drawings overall effect is one of immediacy and intimacy. The rough lines and unfinished quality suggest it was created quickly, perhaps as a study or preliminary sketch for a larger work. There is an underlying sense of narrative; the man’s posture and gesture invite speculation about his thoughts and circumstances. He seems caught in a private moment, observed by the artist with keen attention to detail despite the drawings apparent haste. The aged paper background contributes to this feeling of immediacy, suggesting a glimpse into a personal record or sketchbook.