Map Of The World, c.1886 Antique world maps HQ

This painting, titled Map of the World, c.1886, is a visually rich and symbolic depiction of the British Empire at its zenith. The central element is a world map, with British territories highlighted in red. Various sea routes are illustrated with lines connecting London to the far reaches of the empire, emphasizing its global reach and naval dominance.
The map is bordered by allegorical figures and scenes that convey the subtexts of the painting. The top border features the words FREEDOM, FRATERNITY, and FEDERATION inscribed on banners, suggesting the ideological justifications for the empires expansion. These words are accompanied by personifications of these ideals, often depicted as classical female figures.
The side borders are adorned with a tapestry of individuals and imagery representing the diverse peoples and resources brought under British control. On the left side, we see figures in what appears to be indigenous American attire, followed by European explorers and traders, signaling exploration and conquest. The right side features figures in Japanese and East Asian dress, and further down, representations of the civilized West, juxtaposed with figures in more traditional attire alongside symbols of nature and agriculture (such as a kangaroo and a farmer with a shovel).
The bottom border is particularly symbolic. A central figure, likely Britannia, sits atop a globe, holding a trident, symbolizing her dominion over the seas and world. She is surrounded by figures representing various parts of the empire, including individuals from India (one riding an elephant), Africa, and Australia. The presence of exotic animals like tigers and peacocks further emphasizes the vastness and richness of the empires colonial holdings.
The overall subtext of the painting is a triumphant glorification of the British Empire. It presents the empire as a force for progress, bringing order, civilization, and economic prosperity to the world. The emphasis on freedom, fraternity, and federation, while part of official imperial rhetoric, can be seen today as a stark contrast to the realities of colonialism, which often involved exploitation, oppression, and the suppression of indigenous cultures. The paintings style, with its vibrant colors and detailed allegorical figures, contributes to its powerful and persuasive message of imperial might and perceived benevolent rule.