Alessandro Botticelli – The Resurrected Christ
c.1480. 76.5 x 58
Location: Detroit Institute of Arts, Detroit.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The figure’s skin tone is rendered in muted earth tones, suggesting both realism and an otherworldly quality. Noticeable are the marks on his forehead and cheeks – indications of past suffering, likely referencing wounds inflicted during a period of torment. These details are not presented as gruesome or overtly violent; instead, they appear as subtle reminders of sacrifice and endurance.
His hands are positioned in a significant manner. One is raised, the fingers slightly extended, as if offering a gesture of blessing or perhaps an invitation to touch. The other hand is drawn inward, revealing visible marks on the palm – wounds that allude to a pivotal event in his narrative. This combination of gestures conveys both vulnerability and power; a sense of having endured immense pain while simultaneously possessing authority and grace.
The clothing worn by the figure is simple: a reddish-brown garment with folds suggesting modest drapery. The color itself carries symbolic weight, often associated with passion, sacrifice, or royalty.
Subtly, theres an ambiguity in his expression. It’s not overtly joyful or sorrowful; rather, it seems to convey a quiet acceptance and perhaps even a degree of serenity. This nuanced portrayal moves beyond simple depictions of suffering, suggesting a transcendence of pain and a connection to something larger than the immediate experience. The artist has chosen to portray a figure marked by past trauma but imbued with an aura of peace and resilience, prompting contemplation on themes of redemption and enduring faith.