Calumny of Apelles (detail – King Midas enthroned between Ignorance and Suspicion) Alessandro Botticelli (1445-1510)

In this detail from Sandro Botticellis Calumny of Apelles, we witness a king, identified as Midas, enthroned and surrounded by figures that embody abstract vices. The king, clad in a vibrant red robe, appears to be the central subject, with his gaze downcast and his expression unreadable. He is seated on elevated steps, suggesting his high status.
To his immediate right are two female figures. One, wearing a turban and leaning in close, whispers in the kings ear, representing Suspicion or Distrust. Her intent gaze and proximity convey a sense of insidious influence. The other figure, to the kings left and reaching towards him, is Ignorance. Her face is turned away, and her gesture is one of pushing or guiding, indicating the passive acceptance of misinformation.
Further to the left, a dark, hooded figure stands with a torch, pointing accusingly towards the king or perhaps engaging in some ritualistic action. This figure likely represents False Witness or Calumny itself. Behind the central group, the background is adorned with classical sculptures and architectural elements, hinting at a setting of authority and judgment.
The subtext of this scene is a powerful allegorical representation of how rumor and false accusation can sway even those in power. King Midas, a figure from mythology associated with greed and poor judgment, is depicted here as a victim of deceit. The presence of Ignorance and Suspicion highlights how a rulers lack of critical thinking and openness to baseless claims can lead to unjust decisions. The painting serves as a moral warning against succumbing to slander and a reminder of the importance of truth and discernment in leadership. The architectural setting and classical sculptures lend a sense of timelessness and universal truth to the depicted moral lesson.