Portrait of Prince. Z. Volkonskaya. Not later than 1842 Karl Pavlovich Bryullov (1799-1852)

The portrait presents a woman within an oval frame, set against a deep red backdrop with subtle floral patterning. The subject is positioned in a three-quarter view, her gaze directed towards the viewer with a measured composure. Her skin tone suggests a fair complexion, subtly flushed across the cheekbones and bridge of the nose.
The artist has rendered her hair dark, partially concealed by an elaborate headpiece – a turban or scarf – composed of richly colored fabrics featuring intricate floral designs in red, gold, and green. This adornment draws attention to her face while simultaneously hinting at a certain exoticism or cultural interest. Dangling earrings add further refinement to the overall presentation.
Around her neck, she wears multiple strands of pearls, layered to create a sense of opulence. A delicate lace collar peeks out from beneath the fur stole draped across her shoulders and arms. The dark fur provides a stark contrast against her pale skin and the lighter fabrics, emphasizing its luxurious texture. Her hands are elegantly posed; one rests on the fur, displaying a ring on her finger, while the other is gently folded in front of her.
The lighting is soft and diffused, highlighting the contours of her face and creating a sense of depth within the composition. The overall effect is one of restrained elegance and quiet dignity. Theres an air of melancholy or introspection conveyed through her expression; it’s not overtly joyful but rather thoughtful, suggesting a complex inner life.
The choice of materials – the pearls, fur, and elaborate headwear – points to a position of considerable social standing and wealth. The composition itself, with its formal pose and oval format, adheres to conventions of aristocratic portraiture prevalent in the mid-19th century. It’s likely intended not merely as a likeness but also as an assertion of identity and status within a specific societal context.