Portrait of Franklin D. Gveratstsi. 1827-1830 Karl Pavlovich Bryullov (1799-1852)

The drawing presents a bust-length portrait of a man facing forward, with his head turned slightly towards the left. The artist employed a technique that emphasizes rapid execution and expressive linework, suggesting a study or preliminary sketch rather than a finished work. Graphite appears to be the primary medium, with some areas exhibiting shading achieved through hatching and cross-hatching.
The subject is dressed in formal attire characteristic of the early 19th century: a high-collared shirt, a waistcoat, and a coat with wide lapels. His arms are crossed over his chest, creating a sense of composure and perhaps even self-assurance. The posture contributes to an impression of contained energy; he appears both thoughtful and ready for action.
The face is rendered with careful attention to the planes of the skull and the subtle nuances of expression. A slight smile plays on his lips, hinting at intelligence and good humor. The eyes are particularly striking – they convey a directness that engages the viewer. The hair, styled in a fashionable cut of the period, frames the face and adds to the overall sense of refinement.
Subtleties within the drawing suggest more than just a straightforward representation. The loose, almost gestural quality of the lines conveys a certain informality, which contrasts with the formality of the subject’s clothing. This juxtaposition might imply an attempt by the artist to capture not only the mans outward appearance but also his personality or character. The crossed arms could be interpreted as a sign of defensiveness or perhaps simply a comfortable habit. The slight turn of the head suggests a degree of engagement with, and awareness of, the surrounding environment.
Overall, the drawing conveys an impression of intelligence, composure, and quiet strength. It is likely intended to capture not just likeness but also something of the subject’s inner life.