Princess Sabra, led to the dragon Sir Edward Burne-Jones (1833-1898)

The composition presents a scene steeped in melancholy and foreboding. Here we observe a young woman, presumably the titular princess, being escorted along a stone staircase by attendants. Her posture conveys resignation rather than defiance; her gaze is directed downwards, suggesting an acceptance of her fate. The flowing drapery of her gown emphasizes her vulnerability and fragility. A wreath adorns her head, hinting at a symbolic status – perhaps royalty or innocence – now overshadowed by impending doom.
Flanking her are two female figures, one holding aloft a candelabrum whose light struggles to penetrate the gloom. Their expressions mirror the princess’s sadness, contributing to an overall atmosphere of quiet despair. The figure with the candle seems particularly burdened, her gaze fixed on some unseen point beyond the scene.
Further back, within what appears to be a hall or chamber, several onlookers are visible. They are rendered in softer focus, their faces indistinct, suggesting they represent a detached court or community observing this tragic procession. A man in armor stands guard beside the princess; his stern countenance and rigid posture convey duty and protection, yet offer no solace. The spear he carries is a stark reminder of the danger that awaits.
The color palette reinforces the somber mood. Predominantly muted tones of grey, brown, and cream dominate, punctuated by touches of pale pink in the distant figures’ garments. This restrained use of color contributes to a sense of austerity and solemnity.
Subtly, the architecture itself plays a role. The steep staircase suggests an ascent towards an unavoidable destiny, while the heavy stone construction evokes a feeling of confinement and oppression. The limited light further intensifies the atmosphere of dread and uncertainty. It is not merely a depiction of physical movement but also a symbolic journey into darkness, hinting at themes of sacrifice, duty, and the loss of innocence.