Going to the Battle Sir Edward Burne-Jones (1833-1898)

The drawing presents a scene steeped in melancholy and foreboding. Three figures dominate the composition, arranged in a triangular formation that draws the eye towards the central figure. The artist employed meticulous cross-hatching throughout, creating a dense visual texture that contributes to the overall somber mood.
On the left stands a woman adorned with elaborate headwear and clothing featuring intricate patterns. She holds out an object – likely a weapon or ceremonial item – towards the central figure. Her expression is one of anxious concern, her gaze fixed on the individual she addresses. To the right, another woman, draped in a heavy cloak lined with fur, appears to be offering something as well; a bird perched upon her arm seems to mirror the tension and stillness present within the group.
The central figure is perhaps the most striking element of the drawing. Her long hair cascades down her back, obscuring much of her face and contributing to an air of vulnerability and resignation. She appears to be receiving the offered items with a quiet acceptance, her posture suggesting a sense of duty or obligation rather than eagerness. A small child peers out from behind the woman on the right, adding another layer of emotional complexity – a silent witness to this solemn exchange.
The background is sparsely detailed, featuring indistinct architectural forms that suggest a town or fortress receding into the distance. This lack of specificity serves to isolate the figures and emphasize their personal drama against a backdrop of broader societal context. The darkness surrounding the scene further intensifies the feeling of isolation and impending doom.
Subtly woven within this visual narrative are themes of farewell, sacrifice, and the burden of responsibility. The offering of weapons suggests preparation for conflict, while the expressions of the women convey a sense of loss and apprehension. The presence of the child hints at the disruption of innocence and the potential consequences of war. Ultimately, the drawing evokes a powerful emotional response, prompting reflection on the human cost of conflict and the enduring bonds of familial duty.