By prazdnichku Christ! No horse is lucky, but God is! Elizabeth Merkuryevna Boehm (Endaurova) (1843-1914)

The composition presents two children nestled within a snowdrift, their forms huddled close against the cold. The artist has rendered them in heavy, enveloping clothing – the girl in a purple hooded cloak and the boy in a white one with dark trim – suggesting protection from the elements. Their faces are partially obscured by fur-lined hoods, contributing to an air of quiet introspection rather than overt joy.
The background is dominated by a muted grey sky, lightly dusted with snow, creating a sense of vastness and isolation. The texture of the snow itself is rendered with delicate brushstrokes, conveying its fragility and depth. A handwritten inscription appears in Cyrillic script at the top and bottom of the scene, adding a layer of personal narrative to the visual elements.
The positioning of the children within the snowdrift suggests vulnerability and dependence. They are not actively engaging with their surroundings but rather seeking refuge from an unseen force. The close proximity between them implies a shared experience, perhaps one of hardship or quiet contemplation. There is a sense of melancholy present; its not a depiction of exuberant celebration, but something more nuanced.
The overall effect is one of understated sentimentality and gentle observation. It evokes a feeling of traditional Russian winter folklore, hinting at themes of resilience, familial bonds, and the enduring power of faith in the face of adversity. The artist’s choice to depict children in this setting suggests an exploration of innocence and the quiet dignity found within simple human connection.