Seven guys. Elizabeth Merkuryevna Boehm (Endaurova) (1843-1914)

Here we observe a small-scale work, likely executed in watercolor or gouache on paper with deliberately distressed edges. The composition centers around a young girl, depicted in profile and facing slightly towards the viewer. She is dressed in what appears to be traditional folk attire – a dark skirt, a simple blouse, and a brightly colored headscarf that draws immediate attention. Her expression is melancholic; her eyes are downcast, suggesting introspection or sadness.
The artist has employed a muted color palette dominated by browns, greens, and pinks, creating an atmosphere of quiet solemnity. The background is indistinct, rendered in washes of color that contribute to the overall sense of fragility and vulnerability. A cluster of what seem to be cotton balls or downy feathers are held tightly in her arms, adding a tactile element to the scene and perhaps symbolizing comfort or protection. She clutches a small doll in her other hand, reinforcing the impression of childhood innocence.
The inscription at the bottom of the image is written in Cyrillic script. While its precise meaning requires translation, it seems to be a quote or proverb, further enriching the narrative potential of the work. The placement of the text below the figure suggests that it provides context or commentary on her emotional state.
Subtly, the painting evokes themes of poverty and hardship, common subjects in depictions of rural life during the period. The girl’s clothing is simple and worn, hinting at a lack of material resources. However, the artist avoids overt sentimentality; instead, he focuses on capturing a moment of quiet dignity and resilience. The deliberate degradation of the papers edges contributes to a sense of history and fragility, as if this image has survived through difficult times. Overall, the work conveys a poignant portrait of childhood vulnerability within a context of hardship, inviting contemplation about themes of loss, comfort, and enduring spirit.