Silhouette of the book. From the village of memories, 1882 5 Elizabeth Merkuryevna Boehm (Endaurova) (1843-1914)

The drawing presents a vignette centered around a structure resembling a small, open-sided building or shelter. The composition is rendered entirely in silhouette, creating a stark contrast between the dark figures and the light background. This technique immediately emphasizes form over detail, directing attention towards the arrangement of bodies and the overall narrative suggested by their poses.
Within this architectural frame, several human and animal figures are positioned. Two children stand facing each other, seemingly engaged in conversation or observation. A smaller figure is situated closer to the viewer, appearing to be occupied with something held in its hand – perhaps a book or small object. Another child moves dynamically towards the left of the composition, burdened by what appears to be a bundle of hay or similar material. Two dogs are present; one sits attentively near the standing children, while another is positioned beside the figure holding an object.
Above the structure, several birds perch on the roofline, adding a layer of natural detail and potentially symbolizing freedom or observation from above. The ground beneath the shelter appears uneven, with what looks like tangled vegetation or roots visible, suggesting a rustic or rural setting. A curving line at the bottom of the image creates an impression of depth and grounds the scene.
The subtexts within this drawing are rich in potential interpretations. The central interaction between the two standing children hints at childhood relationships – perhaps friendship, rivalry, or simply shared curiosity. The child with the object could represent learning, imagination, or a connection to stories and knowledge. The figure carrying the bundle suggests labor or responsibility, possibly alluding to the burdens of youth or rural life. The presence of dogs reinforces the sense of domesticity and companionship.
The use of silhouettes lends an air of mystery and universality to the scene. By obscuring specific facial features and details, the artist invites viewers to project their own experiences and interpretations onto the figures, making the narrative feel both personal and timeless. The overall impression is one of quiet contemplation and a nostalgic glimpse into a bygone era – a moment captured in shadow and form.