Portrait of the painter’s wife Francesco de Mura (1696-1782)

Here we observe a portrait depicting a woman in what appears to be late 18th-century attire. The composition is structured around her central presence, with a dark background that emphasizes her figure and the details of her clothing. Her gaze is directed towards the viewer, conveying an impression of composure and perhaps a subtle challenge.
The artist placed her against a backdrop of indistinct foliage and flowers, partially obscuring a table upon which more blooms are arranged. These floral elements introduce a layer of symbolic richness; they might allude to themes of beauty, transience, or domesticity – common motifs in portraiture of the period. The presence of a small dog at her feet further reinforces these associations with the home and personal affection.
The woman’s dress is noteworthy. A dark green jacket, fastened at the chest, contrasts sharply with the pale white chemise visible beneath it. A lavish gold drape cascades over her arm and shoulder, drawing attention to her status and wealth. The elaborate hairstyle, typical of the era, adds to the overall sense of refinement and elegance.
The lighting is carefully managed; a soft glow illuminates her face and upper body, highlighting her features while leaving the background in shadow. This technique creates depth and focuses the viewer’s attention on the sitters expression and demeanor. The subtle modeling of her face suggests an attempt to capture not just a likeness but also a sense of character – a suggestion of intelligence and quiet strength.
Subtly, there is a tension between the formality of the pose and the intimacy suggested by the inclusion of the dog. This juxtaposition might hint at a complex personality – one who embodies both societal expectations and personal warmth. The overall effect is that of a carefully constructed image intended to convey not only physical resemblance but also social standing and an idealized version of feminine virtue.