Francesco de Mura – Allegory of Africa
1738. 38×68 cm, oil on canvas
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left of this figure sits another individual, seemingly male, whose features are partially obscured by a crown fashioned from wheat stalks. He holds a bundle of fabric, mirroring the drape around the reclining woman. This proximity and shared elements suggest a relationship – perhaps kinship, partnership, or symbolic representation of intertwined concepts.
A lion rests near the pair, its posture relaxed but alert. The presence of this animal introduces connotations of power, nobility, and potentially danger – attributes often associated with the continent implied by the figures’ appearance. Its placement suggests it is both a guardian and an integral part of their world.
The color palette is dominated by earthy tones – browns, ochres, and muted yellows – which contribute to a sense of antiquity and naturalism. The limited use of brighter colors draws attention to the central figures and reinforces the overall feeling of solemnity.
Subtly, the painting seems to explore themes of protection, identity, and perhaps even subjugation. The woman’s averted gaze and the mans obscured face could be interpreted as signs of distress or a desire to conceal something. The lion, while representing strength, also implies a need for vigilance against external threats. The wheat crown might symbolize abundance but also potentially represents a form of imposed order or civilization. Overall, the work conveys a complex narrative about a place and its people, laden with symbolic meaning that invites contemplation on themes of power, vulnerability, and cultural representation.