Lochner, Stephan (German, approx. 1405-1451) 2 German artists

The composition presents a devotional scene centered around a mother figure kneeling before a swaddled infant lying on a simple cloth. The woman is draped in a voluminous green robe that pools at her feet, and she clasps her hands in what appears to be prayer or reverence. A golden halo encircles her head, signifying her sanctity.
The setting is an architectural structure resembling a rustic stable or shelter, constructed from roughly hewn timber beams. Within this enclosure, several symbolic elements are arranged. Above the mother and child, three angelic figures appear within a window-like opening in the roof, their presence suggesting divine blessing and celestial observation. To the left of the central figures, a man holding a long staff stands alongside another figure carrying what seems to be a banner or standard; these individuals likely represent shepherds or wise men paying homage. A hawk flies overhead, its inclusion potentially alluding to vigilance or spiritual guidance.
Behind the kneeling woman, within the stable’s interior, are further symbolic representations: an ox and an ass flank a rabbit, each animal carrying traditional associations with Christs sacrifice and innocence. The arrangement of these elements suggests a carefully constructed narrative intended to evoke piety and contemplation.
The artist employs a limited palette dominated by earthy tones – browns, greens, and ochres – with the gold halo providing a striking contrast. The figures are rendered in a somewhat stylized manner, with elongated proportions and simplified facial features characteristic of early Northern European painting. Light falls unevenly across the scene, highlighting the mother’s face and the infant while casting portions of the stable into shadow, creating depth and visual interest.
The overall effect is one of quiet solemnity and profound reverence, inviting viewers to reflect on themes of faith, humility, and divine grace.