RING Ludger tom the Younger Vases Of Flowers German artists

The composition presents two distinct floral arrangements, each contained within a ceramic vessel and positioned against a dark, undefined background. The left arrangement features irises, their petals rendered in shades of yellow, brown, and purple. These flowers rise vertically, creating a sense of height and elegance. To the right, we observe lilies, predominantly white with subtle variations in tone, also arranged upright. Both vases are similarly shaped – bulbous bodies tapering to a slender neck and base – and share an identical inscription that wraps around their circumference. The year 1562 is prominently displayed on each vase.
The artist’s meticulous attention to detail is evident in the rendering of individual petals, leaves, and stems. Light falls upon the flowers and vases from a consistent source, creating highlights and shadows that define form and texture. The dark background serves to isolate the floral arrangements, drawing the viewers focus entirely onto their beauty and arrangement.
The inscription on the vases introduces an element of intellectual curiosity. In Herbis et in Lilia – “in herbs and lilies” – suggests a connection to biblical or allegorical meaning. Lilies, particularly, are frequently associated with purity, innocence, and resurrection within Christian iconography. The inclusion of herbs alongside lilies might imply a broader appreciation for the natural world, encompassing both the sacred and the commonplace.
The pairing of two distinct floral types – the irises on the left and the lilies on the right – could be interpreted as representing contrasting qualities or symbolic meanings. Perhaps they signify duality, balance, or even a progression from one state to another. The shared vessel and inscription suggest a unifying theme despite these differences.
The date 1562 stamped onto each vase anchors the work in a specific historical context, potentially indicating the year of creation or perhaps commemorating an event associated with the vases themselves. This detail adds a layer of documentary value to the piece, suggesting it might have been commissioned as a memento or a symbolic representation of a particular moment in time.