Boris Grigoriev – Parisian Concierge
1918. 70.8х62.4
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
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Behind this central figure, a glimpse into an interior space is visible. Here we see a portion of what appears to be a hotel lobby or entrance hall, indicated by the sign reading Hôtel partially obscured in the upper left corner. The backdrop is characterized by a strong verticality – red and white striped curtains hang prominently, drawing the eye upward. A second woman stands further back, her form less distinct, clad in a dark coat with fur trim. She seems to be engaged in some activity, perhaps ushering someone or simply observing the scene.
The color palette is notable for its boldness. The orange of the central figure’s garment and the red stripes of the curtains create a dynamic visual tension that prevents the work from feeling somber despite the womans expression. The use of light is also significant; it illuminates her face, highlighting her features while leaving much of the background in shadow.
Subtly, the painting seems to explore themes of social class and labor. The presence of a concierge – suggested by the setting and the central figure’s demeanor – hints at a life of service and routine. The second womans position further reinforces this sense of hierarchical structure within the hotel environment. There is an implied narrative here; one might imagine the story behind the central figure’s gaze, her connection to the space she inhabits, and the lives of those who pass through it. The overall effect is a poignant portrayal of everyday life, imbued with a quiet dignity and a sense of underlying complexity.