Alekseev, Fedor – Interior Church of the Resurrection of Christ in New Jerusalem Hermitage ~ Part 01

The drawing presents a vast interior space, dominated by a monumental dome and a central iconostasis. The perspective is one-point, directing the viewers gaze towards this focal point, emphasizing its scale and importance within the architectural composition. Light streams in from unseen sources, illuminating the intricate details of the structure and creating a sense of depth.
The architecture itself appears to be heavily influenced by Byzantine design principles, evident in the rounded arches, elaborate ornamentation, and the overall symmetry of the space. The walls are lined with niches containing what appear to be smaller icons or religious figures, contributing to the feeling of reverence and spiritual contemplation. A complex system of ribs and coffers adorns the dome, creating a visually engaging pattern that draws the eye upwards.
The iconostasis, richly decorated in gold and blue hues, stands as a barrier between the viewer and the sanctuary. Its elaborate design suggests a significant symbolic function, likely representing the boundary between the earthly realm and the divine. The use of gold evokes notions of holiness, purity, and celestial light.
Subtly, the drawing conveys an impression of grandeur and solemnity. The sheer size of the space, combined with the meticulous detail in the architectural rendering, suggests a place intended to inspire awe and devotion. The limited color palette – primarily blues, golds, and whites – reinforces this sense of spiritual purity and transcendence.
The floor appears polished, reflecting light and further amplifying the feeling of spaciousness. The artist’s attention to detail extends to the depiction of shadows, which contribute to a three-dimensional effect and enhance the realism of the scene. Overall, the drawing captures not just an architectural space but also a sense of spiritual atmosphere.