Ptizhan, Edmond – Type Burgundian Gate in the city Mare Hermitage ~ part 10

The drawing presents a view of a fortified structure situated over a waterway. The composition is dominated by a substantial gatehouse, its architecture suggesting medieval origins. A central tower rises above crenellated walls, flanked by arched openings that likely served as passageways or defensive positions. This imposing edifice appears to be integrated into a larger complex, with sections of high stone walls extending outwards on either side.
The waterway itself is crossed by an arch bridge, its structure mirroring the architectural style of the gatehouse. The water’s surface reflects the forms above, creating a sense of depth and visual complexity. Several figures are scattered throughout the scene: some appear to be traversing the bridge, while others are positioned along the banks or in small boats on the water. Their presence introduces a human element into the otherwise static architectural landscape.
The artist employed a technique that emphasizes line work and tonal variation through hatching and cross-hatching. This approach lends texture and volume to the buildings and foliage, creating a sense of realism despite the drawing’s monochromatic nature. The surrounding vegetation is rendered with dense, swirling lines, suggesting lush growth and obscuring some details of the structures behind it.
A subtle atmosphere pervades the scene; the light appears diffused, softening the harshness of the stone and contributing to an overall feeling of tranquility. The inclusion of a ladder leaning against one of the walls hints at ongoing maintenance or repair work, subtly suggesting the passage of time and the enduring nature of these structures. The drawing’s perspective is slightly elevated, allowing for a comprehensive view of the entire complex and its surroundings.

The inscription beneath the image provides contextual information, identifying the scene as “La porte de Bourgogne à Moret” (Burgundian Gate in Moret). This detail anchors the work to a specific location and suggests an intention to document or preserve a particular architectural landmark.