Ukhtomsky, Konstantin Andreevich. Types of rooms of the New Hermitage. Hall of Antiquities of Cimmerian Bosporus Hermitage ~ part 12

The artwork presents a meticulously rendered interior space, likely intended as documentation or design proposal for a museum hall. The perspective is centered and expansive, drawing the viewer into the depth of the room. Here we see a large, rectangular chamber characterized by its high vaulted ceiling and extensive decorative program.
The walls are constructed from precisely arranged blocks of light-colored stone, creating a sense of monumental stability and order. A rhythmic pattern of alternating pink and white bands adds visual interest without disrupting the overall impression of classical restraint. The architectural detailing is precise; arches define recessed niches that house display cases and sculptural elements. These niches contribute to the room’s depth and create a layered effect.
The ceiling is the focal point, dominated by an intricate arrangement of geometric motifs executed in muted terracotta tones. A central medallion features a complex starburst design, radiating outwards into surrounding panels adorned with scrolling foliage and stylized floral patterns. The decorative scheme suggests a deliberate attempt to evoke antiquity, possibly referencing Roman or Greek architectural traditions.
Scattered throughout the room are various artifacts displayed within glass cases and on pedestals. These objects appear to be archaeological finds – sculptures, pottery fragments, and other remnants of a lost civilization. Their placement is carefully considered, contributing to the overall sense of curated display. The lighting appears diffused and even, highlighting the textures of the stone and the details of the decorative elements.
The floor is tiled with a geometric pattern in shades of brown and beige, echoing the motifs found on the ceiling and reinforcing the sense of visual harmony. A doorway at the far end of the room leads to another space, hinting at the possibility of further exploration and discovery. The overall impression conveyed by this rendering is one of scholarly pursuit, historical reverence, and a desire to create an environment conducive to contemplation and learning. It speaks to a period preoccupied with classical ideals and the preservation of cultural heritage.