Uele, Jean-Pierre-Laurent. The projection of Etruscan vases, originating from the gallery of the Grand Master of the Order of Malta Hermitage ~ part 12

The work presents a series of figures arranged across three horizontal registers, each depicting scenes that appear to be derived from ancient Etruscan pottery. The monochrome palette, rendered in chalk or a similar medium on a dark background, emphasizes the linearity and sculptural quality of the forms.
Here we see individuals engaged in various activities – some holding shields, others appearing to dance or perform ritualistic gestures. The figures are depicted with a degree of dynamism; their poses suggest movement and interaction. The artist has prioritized outlining the bodies, creating an effect akin to line drawings rather than fully realized representations. Drapery is handled with considerable attention, flowing around the forms in ways that indicate volume and contribute to the overall sense of motion.
A recurring motif involves figures holding circular objects – likely shields or ceremonial discs – which are positioned at varying heights, adding visual interest and a sense of layered space. The arrangement across registers implies a narrative sequence, though the precise story remains ambiguous without further contextual information about the original Etruscan vases. The repetition of certain poses and gestures suggests an attempt to capture characteristic movements or actions associated with these ancient depictions.
Subtly, the work reveals an interest in preserving and interpreting cultural heritage. The act of projecting images from antique vessels implies a desire to document and disseminate knowledge about a past civilization. It also speaks to a fascination with antiquity prevalent during the period when this drawing was created – a time marked by renewed engagement with classical art and archaeology. The deliberate choice to render the figures in monochrome, rather than color, might be interpreted as an effort to focus attention on the essential forms and compositions of the original Etruscan works, stripping away any potential distractions from their inherent aesthetic qualities. The dark background serves to highlight the white figures, creating a dramatic contrast that emphasizes their sculptural presence.