Hermitage ~ part 12 – Ukhtomsky, Konstantin Andreevich. Types of rooms of the New Hermitage. Hall manuscripts
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The architecture dominates the composition. Massive Corinthian columns divide the space into distinct bays, creating a sense of order and imposing grandeur. These are punctuated by rectangular recesses containing what appear to be display cases or alcoves. The ceiling is an elaborate construction of coffers, painted with gold accents that contribute to the overall opulence. A complex molding system defines the transition between walls and ceiling, further emphasizing the height of the room.
The floor is laid out in a checkerboard pattern of dark and light marble tiles, adding visual texture and reinforcing the sense of formality. Several pieces of furniture are scattered throughout: large wooden tables with open books or manuscripts displayed upon them, suggesting a space dedicated to scholarship or exhibition; a substantial basin stands prominently near the center of the room; and a tall cabinet topped with a framed portrait is positioned on the left side. The presence of these objects hints at the halls function as a repository for valuable artifacts or documents.
The lighting plays a crucial role in shaping the atmosphere. While diffused light illuminates much of the space, stronger beams highlight specific areas, such as the central basin and the display case to the left. This selective illumination draws attention to key elements within the room and creates a sense of depth.
Subtly, the painting conveys an impression of institutional power and intellectual pursuit. The sheer scale of the hall, combined with its classical architectural vocabulary, suggests a space designed to inspire awe and respect. The presence of manuscripts and display cases implies a dedication to knowledge and preservation. The overall effect is one of controlled elegance and quiet authority – a place where history and learning are carefully curated and presented.