Hermitage ~ part 12 – Ugolino Lorenzetti. Calvary
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Какая ложь! Все стоят аки не они это сделали
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Below the cross, a large gathering of individuals is depicted. They are arranged in tiers, creating depth within the scene. On the left side, figures appear to be expressing grief; their gestures – raised hands, bowed heads – suggest deep sorrow and empathy. Their clothing, rendered in muted tones with touches of red, distinguishes them from those on the right. The group on the right seems more composed, some bearing spears and banners, suggesting a detachment or perhaps an official presence at this event. A building is visible behind the crowd, its architecture hinting at a medieval urban setting.
The artist’s use of light contributes to the emotional impact. While the background is uniformly illuminated by gold, the figure on the cross is subtly shaded, emphasizing his form and highlighting the contours of his body. This contrast draws attention to his suffering and reinforces the paintings devotional purpose. The arrangement of figures suggests a narrative unfolding; it’s not merely a depiction of an event but also an exploration of human responses to tragedy and loss.
Subtly embedded within this scene are indications of civic authority and social hierarchy. The presence of armed guards, the formal attire of some onlookers, and the architectural backdrop all point towards a public display of religious significance intertwined with political power. The painting seems to be less about individual piety and more about the communal experience of faith within a structured society.