Schenk, Peter. Portrait of Fedor Golovin Hermitage ~ part 13

The engraving presents a bust-length portrait of a man within an oval frame. The subject is positioned centrally, facing forward with a direct gaze towards the viewer. He possesses a somewhat melancholic expression; his mouth is closed and his brow furrowed slightly, suggesting introspection or perhaps a quiet seriousness.

His hair, styled in voluminous, cascading curls characteristic of the late Baroque period, frames his face and falls onto his shoulders. The texture of the hair is rendered with meticulous detail through cross-hatching, creating a sense of depth and volume. He wears an elaborate coat adorned with intricate patterns – likely embroidery – that catch the light and add visual interest to the composition. The dark color of the coat contrasts sharply with the lighter tones of his face and hair, further emphasizing his presence.

The oval frame is not merely decorative; inscribed around its perimeter are Latin phrases: Talis apud Troianm Danaan and Pro navibus Ajax. These allusions to classical literature – referencing Homer’s Iliad – suggest a deliberate attempt to associate the subject with heroic or noble qualities. The inclusion of these literary references elevates the portrait beyond a simple likeness, hinting at an intellectual or cultural identity.

Beneath the frame, inscribed in a formal script, is a dedication identifying the individual and his titles: Theodorus Alexiewitz, S.R.I. Com. de Gollevin, Sacr. Caes. Maj. Moscovitica Minist. Imperii Moscovi, Cancellari et archicancellari. This text establishes the subject’s high social standing within the Russian Empire, indicating his role as a counselor and chancellor to the Tsar.

The overall effect of the engraving is one of restrained dignity and intellectual gravitas. The artist has skillfully employed techniques of light and shadow, texture, and classical allusion to create a portrait that conveys not only physical resemblance but also a sense of character and status.