Yamashita, Rin. Icon of the Resurrection of Christ. On the back of the temple of the Resurrection in Tokyo and the inscription Hermitage ~ part 13

The composition centers on a figure emerging from what appears to be a rocky outcrop, bathed in a soft, diffused light. The central figure is unclothed and possesses a serene expression; arms are outstretched in a gesture that suggests offering or blessing. Two winged figures flank the central figure, kneeling with heads bowed in apparent reverence. Their garments display contrasting colors – one in muted blues and browns, the other in vibrant reds and pinks – creating visual distinction while maintaining a sense of harmony within the overall scene.
The background is dominated by a gradient of green hues, suggesting a landscape or natural setting that recedes into distance. A cluster of stones lies at the base of the rocky outcrop, adding textural detail to the foreground. Above the central figure, an inscription in what appears to be Greek lettering is visible, positioned within a banner-like structure. Beneath this inscription, another set of characters – likely Japanese – is present. The elaborate gold frame surrounding the painted surface contributes significantly to its visual impact, drawing attention to the scene and suggesting a sense of sacredness or importance.
The artist’s choice of depicting the figure unclothed evokes associations with vulnerability and purity, while the gesture of outstretched arms implies divine grace and compassion. The kneeling angels reinforce this narrative, symbolizing humility and devotion before the divine presence. The juxtaposition of Greek and Japanese script introduces an intriguing layer of cultural interaction and adaptation; it suggests a deliberate attempt to bridge religious traditions or to present a familiar icon within a new cultural context. The overall effect is one of quiet contemplation and spiritual reverence, achieved through careful composition, subtle color palette, and symbolic detail.