Hau Edward Petrovich – Types of rooms of the Winter Palace. The second half of the spare. Lounge Hermitage ~ part 03

The drawing presents a lavishly appointed room, likely intended for formal gatherings or receptions. The perspective is frontal, emphasizing the symmetry and grandeur of the space. Here we see a rectangular chamber dominated by rich red draperies that cover the walls from floor to ceiling. These heavy textiles contribute significantly to the sense of opulence and enclosure.
The ceiling is an elaborate composition of plasterwork, featuring intricate moldings, medallions, and a central rosette. The color scheme – predominantly cream with gilded accents – creates a feeling of lightness despite the density of the red walls. A substantial chandelier hangs from the center of the ceiling, its presence reinforcing the room’s intended function as a space for display and social interaction.
Furniture is arranged in a deliberate manner to highlight the rooms dimensions. A large table draped with a matching red cloth occupies the central area, surrounded by chairs upholstered in similar fabric. Against one wall stands an ornate console table topped with decorative objects: candlesticks, a vase, and what appears to be a mirror reflecting back into the space, further amplifying its perceived size. A framed painting hangs above the console, partially obscuring a doorway that leads to another room visible through its opening. The doorway itself is adorned with blue wallpaper, providing a contrasting color element within the overall composition.
The floor is covered in a deep red carpet, echoing the wall draperies and contributing to the sense of warmth and luxury. Large decorative urns flank the entrance to the room, adding to the impression of refined taste and aristocratic patronage.
Subtly, the drawing conveys an atmosphere of formality and restrained elegance. The meticulous detailing suggests a desire to showcase not only the beauty of the interior but also the wealth and status of its inhabitants. The careful arrangement of objects implies a deliberate construction of identity – a visual statement about power and refinement. The presence of the doorway hints at other spaces beyond, suggesting that this room is part of a larger, interconnected network of rooms designed for specific social purposes.