Hermitage ~ part 14 – Rubens, Pieter Paul - The Union of Earth and Water (Antwerp and the Scheldt)
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COMMENTS: 12 Ответы
The girl is holding a fan.
Peter knew and appreciated the beauty of real women.
As beautiful as me!
Whats wrong with her hands? Take a look. She has two right hands!
Thank you very much for the large format. Grandpa will be very happy and will draw a copy.
Yes, something seems wrong with my hands.
Everything is fine with the hands!
Its just that Rubens depicted them like that... Its the pinky finger pointing outwards, which makes it look like a thumb.)
Incomparable, delightful, the ultimate masterpiece, worthy of eternal admiration!
The beauty of the painting lies in the captivating tenderness of the female form and the strength and resilience of the male form.
Zhenya! ))) The goddesss hands are indeed not quite right. Human anthropology doesnt show such drastically different fingers, except for one. Unfortunately. Paul Rubens was wrong. And that is a fatal mistake.
How can you find mistakes in the works of great masters? After all, they werent photographers! Even if they had two right hands. Some artists didnt even follow the rules of perspective, and that was perfectly normal.
Im selling a painting made on wooden plywood. The painting is very old. Price: 1000 UAH. Contact me at [email protected].
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This painting, The Union of Earth and Water by Peter Paul Rubens, is an allegorical representation of the city of Antwerp and the river Scheldt.
What you see:
The central figures are a nude woman, representing Antwerp, and a muscular man, representing the Scheldt River. Antwerp is depicted as abundant and fertile, holding a cornucopia brimming with fruits and vegetables, symbolizing the citys prosperity and rich trade. The Scheldt River is portrayed as powerful and vital, holding a trident and wearing a wreath of laurel, signifying his dominion over the waters and his historical importance. Water is actively pouring from a large amphora, held by Antwerp, into the river, illustrating the dynamic relationship between the city and the waterway.
Above them, a winged figure, possibly Victory, crowns Antwerp with a laurel wreath, acknowledging her success and importance. Below, several cherubic figures and a satyr-like man are present in the water. The satyr is blowing a large conch shell, a traditional symbol of the sea and its power. The cherubs likely represent the abundance and joy brought by the union. The presence of a lion to the left might symbolize strength or courage, characteristic of Antwerp or the region.
The overall composition is dramatic and dynamic, with rich colors and a sense of movement, characteristic of Rubens Baroque style.
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