The Italian artists – Fra Bartolommeo (Baccio della Porta, Italian, 1472-1517)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has placed these figures within a shallow niche or portico, which serves to frame them and create a sense of depth. Beyond this architectural element stretches a panoramic landscape – a vista of rolling hills, a river winding through the valley, and distant settlements nestled along its banks. The atmospheric perspective employed in rendering the background suggests considerable distance, softening the details of the townscape and contributing to an overall feeling of serenity.
Above the figures, two winged beings float within the upper portion of the composition. Their poses are graceful, their garments a delicate pink hue that contrasts with the darker tones below. They seem to be engaged in a gesture of blessing or celebration.
The color palette is dominated by rich earth tones – greens, reds, and browns – balanced by the deep blue of the woman’s robe and the pale hues of the angelic figures. The light source appears to originate from above and slightly to the left, illuminating the faces of the central figures and casting gentle shadows that define their forms.
Subtly, the scene conveys a sense of domesticity elevated to a spiritual plane. The presence of the landscape suggests a connection between the earthly realm and a higher power. The interaction between the figures – the man’s music, the womans protective posture, the infants’ gestures – implies familial harmony and divine grace. The architectural setting reinforces this notion by creating a space that is both intimate and monumental, suggesting a sacred enclosure where ordinary life intersects with the extraordinary.