Jan Stanislawski – Krzemionki near Krakow
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A dense, overcast sky fills the upper portion of the painting. The clouds are rendered with thick, impasto brushstrokes in shades of grey and blue, suggesting a heavy atmosphere and potentially hinting at an impending storm. Light filters through intermittently, creating patches of brightness that highlight the texture of the cloud cover.
The rock faces themselves display a complex interplay of color. While predominantly cool tones – blues, greens, and greys – are used to depict their mass, touches of purple, red, and ochre emerge in areas where light catches the surface. This suggests a layered geological structure, with different minerals contributing to the varied coloration. The artist’s application of paint is vigorous; visible brushstrokes contribute to the ruggedness and solidity of the rocks.
The foreground consists of a field or meadow rendered in varying shades of green. These greens are less saturated than those found on the rock faces, creating a visual separation between the immediate ground and the towering formations behind it. The application here appears more blended, softening the transition from the dark background to the lighter foreground.
A sense of isolation pervades the scene. There is no indication of human habitation or activity; the landscape feels untouched and remote. This absence contributes to a feeling of awe and perhaps even a touch of melancholy. The painting seems less concerned with depicting a specific location than it is with conveying an emotional response to the power and grandeur of nature. It evokes a sense of timelessness, suggesting that these rock formations have stood for centuries, witnessing events beyond human comprehension.
The composition’s framing – the dark void surrounding the scene – further intensifies this feeling of solitude and emphasizes the landscapes inherent drama.