John Singer Sargent – Still Life with Daffodils
1890
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left of the floral arrangement, a small plate holds several oranges, their warm orange color echoing and complementing the yellows of the daffodils. Two wine glasses flank the composition; one positioned near the fruit, the other closer to the viewer’s perspective. Their presence introduces an element of implied human interaction or consumption, suggesting a moment interrupted or a scene prepared for enjoyment.
The background is characterized by dark, heavy drapery that creates a sense of depth and enclosure. The limited light source seems to originate from the left, casting shadows across the table surface and highlighting the textures of the objects. This lighting contributes to a somber atmosphere while simultaneously emphasizing the luminosity of the daffodils.
Subtly, the arrangement evokes themes of transience and abundance. Daffodils are often associated with spring and renewal, yet their depiction in a still life – a genre inherently concerned with mortality – introduces an undercurrent of melancholy. The oranges, symbols of prosperity and vitality, are juxtaposed against this fleeting beauty. The wine glasses suggest celebration or indulgence, but the overall mood is restrained, hinting at a quiet contemplation rather than exuberant revelry.
The artist’s handling of paint appears loose and expressive, with visible brushstrokes that contribute to the textural richness of the scene. This technique lends an immediacy and intimacy to the work, inviting close observation and reflection on the delicate balance between joy and sorrow inherent in the passage of time.