John Singer Sargent – Wineglass
1875
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist’s handling of light is particularly noteworthy. Sunlight filters through the dense foliage overhead, creating dappled patterns across the table and surrounding surfaces. This effect contributes to a sense of warmth and intimacy while simultaneously obscuring details in the background. The play of light also emphasizes the textures – the rough wood of the chairs, the weave of the tablecloth, and the reflective quality of the glassware.
Beyond the immediate foreground, the view opens onto a distant landscape rendered with looser brushstrokes. This receding perspective creates depth within the scene, but the details are intentionally vague, suggesting a focus on atmosphere rather than precise representation. The foliage of the pergola itself is depicted as an intricate network of vines and leaves, further blurring the boundary between interior and exterior space.
The painting’s subtexts revolve around themes of transience and sensory experience. The presence of wine implies indulgence and pleasure, but the abandoned glasses hint at a departure or interruption. The fleeting quality of light reinforces this sense of impermanence – a moment captured in time that is destined to change. Theres an underlying feeling of solitude despite the suggestion of previous company; the scene feels suspended between activity and stillness.
The artist’s choice to focus on commonplace objects – a table, glasses, vines – elevates them through careful observation and skillful rendering. The work seems less concerned with narrative than with capturing a specific mood or sensation – the quiet enjoyment of a sun-drenched afternoon.