Joshua Reynolds – Robert Hay Drummond, D. D. Archbishop of York and Chancellor of the Order of the Garter
1764. 127×102 cm, oil on canvas
Location: Art Museum, Saint Louis.
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The artist has rendered the figure with meticulous attention to detail, particularly regarding his attire. A voluminous black cape, lined with gold fabric, drapes over his shoulders, its folds suggesting both grandeur and a certain weight of responsibility. Beneath this, a white clerical collar is visible, contrasting sharply against the dark tones of the cape. A chain, adorned with what seem to be heraldic symbols, rests upon his chest, indicating membership in an esteemed order. A prominent red cross hangs from the chain, likely signifying a religious or chivalric affiliation. The subject’s hands rest gently on a large book bound in elaborate gold tooling; this object serves as a clear symbol of learning and ecclesiastical office.
The lighting is carefully controlled, illuminating the mans face and upper body while leaving the background shrouded in shadow. This technique draws attention to his features – a somewhat fleshy face, pale complexion, and neatly powdered wig – and emphasizes his importance within the scene. The limited palette, dominated by blacks, whites, golds, and reds, contributes to an overall sense of formality and dignity.
Behind the subject, partially obscured by the cape, is a glimpse of what appears to be a tapestry or curtain with intricate patterns. This backdrop adds depth to the composition while also hinting at the opulence of his surroundings. The man’s expression is serious, almost austere; theres a hint of weariness in his eyes that suggests experience and perhaps a burden of duty.
Subtly, the painting communicates themes of power, piety, and prestige. It is not merely a likeness but a carefully constructed representation designed to project an image of authority and spiritual leadership. The deliberate arrangement of symbols – the book, the chain, the cross – reinforces his position within a hierarchical social structure. The overall effect is one of restrained grandeur, intended to inspire respect and convey the subject’s elevated status.