Joshua Reynolds – Mrs. Nesbitt as Circe
1781. 125×100 cm
Location: Smith College Museum of Art, Northampton.
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Flanking her are two animals: a leopard resting close to her left side and a white cat nestled against her right. The presence of these creatures immediately evokes associations with wildness, untamed nature, and potentially, magical influence. Their proximity to the woman suggests a dominion over them, reinforcing an image of authority and control.
Further enriching the narrative is the figure visible in the upper left quadrant of the painting. This individual, partially obscured by foliage, appears to be suspended from branches, seemingly held captive or transformed into a simian form. The ambiguous nature of this transformation – whether it represents a punishment, a consequence of magical intervention, or a symbolic representation of human fallibility – adds layers of complexity to the work.
A golden chalice rests on a ledge near the woman’s right hand, its presence hinting at ritualistic practices and perhaps alluding to themes of enchantment or transformation. The chalices placement suggests it is an integral part of her power or domain.
The overall effect is one of deliberate theatricality. The artist has constructed a scene that blends elements of portraiture with mythological allusion. The woman’s expression, while seemingly serene, carries a subtle undercurrent of knowingness and perhaps even amusement, suggesting she is aware of the symbolic weight carried by her image and the creatures surrounding her. The dark background serves to isolate the figure and amplify the sense of mystery and enchantment that permeates the scene.