Joshua Reynolds – David Garrick (1717-1779), between the Muses of Tragedy and Comedy
oil on canvas 1760-61
Location: Somerset Maugham Theatre Collection
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On his left stands a young woman draped in a flowing red garment. Her posture is animated; she reaches out toward him with an earnest gesture, her face exhibiting a look of intense emotion – possibly pleading or urging. The landscape visible behind her suggests a pastoral scene, bathed in soft light, contrasting with the darker tones dominating the foreground.
The figure on his right is similarly draped, but in a muted blue robe. Her pose is more theatrical and commanding; she raises one arm dramatically, as if delivering an instruction or pronouncement. A belt cinches her waist, adding definition to the flowing fabric. Her expression is serious, bordering on stern, suggesting authority and perhaps a critical assessment of the central figure’s actions.
The artist has employed chiaroscuro – a strong contrast between light and dark – to create depth and focus attention on the three figures. The darkness surrounding them isolates them from the background, emphasizing their interaction. The foliage behind them is rendered with loose brushstrokes, contributing to a sense of atmosphere rather than precise detail.
Subtleties within the work suggest a commentary on the nature of artistic expression and the performer’s role within it. The two women likely represent allegorical figures – perhaps embodiments of Tragedy and Comedy – and their differing gestures indicate conflicting influences or demands placed upon the man at the center. His ambiguous reaction hints at the complexities of navigating these opposing forces, potentially reflecting a commentary on the challenges faced by an actor balancing serious dramatic roles with lighter comedic ones. The pastoral backdrop may symbolize the idealized world of art, while the shadowed setting suggests the darker realities and pressures inherent in theatrical life.