Joshua Reynolds – Richard Peers Symons, M.P. (Later Baronet)
1770-71. 237×146cm, oil on canvas
Location: Art Museum, Cincinnati.
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A greyhound stands closely beside him, its form rendered with considerable detail, suggesting a deliberate symbolic association. The dog’s proximity implies loyalty, companionship, and perhaps even an aristocratic lineage – greyhounds were often associated with the upper classes. Its attentive gaze mirrors the gentlemans own directed outward, creating a sense of shared observation.
The background is deliberately theatrical. A classical ruin, reminiscent of Roman or Greek architecture, is visible in the distance, partially obscured by foliage. This placement serves to elevate the subject, aligning him with ideals of antiquity and suggesting intellectual pursuits or an appreciation for the arts. The columns framing the figure on the left further emphasize this connection to classical tradition.
A marble statue of a male figure rests on a pedestal at his feet; its presence reinforces themes of virtue, strength, and perhaps even political ambition. The gentleman’s hand is lightly placed upon the pedestal, suggesting a claim or association with these ideals.
The lighting in the painting is carefully managed to highlight the subjects face and upper body while leaving the background somewhat darker and less defined. This technique draws attention to his features and emphasizes his importance within the scene. The overall effect is one of calculated grandeur – a portrait designed not only to record likeness but also to convey status, intellect, and an adherence to established societal values.