Joshua Reynolds – John Manners (1721-70) Marquess of Granby
c.1763 oil on canvas
Location: National Army Museum, London.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has rendered him in rich colors – a vibrant gold waistcoat contrasts with the deep blue coat adorned with elaborate gold detailing. The trousers are a muted beige, blending subtly into the ground beneath his feet. A crimson sash is knotted around his waist, adding another layer of visual complexity and signifying rank or office. His boots appear sturdy and well-worn, suggesting practical experience alongside ceremonial display.
Behind him, a tumultuous sky dominates the upper portion of the canvas. Dark clouds swirl, hinting at an impending storm or perhaps alluding to the challenges inherent in military leadership. Below this dramatic sky, a distant landscape is visible – what appears to be a battlefield scene with figures and structures rendered in small scale, suggesting a vastness beyond the immediate presence of the man depicted.
The barrel upon which he leans serves as an interesting compositional element. It grounds him physically within the space while also acting as a symbolic prop – perhaps representing provisions, resources, or even the weight of responsibility associated with his position. The overall effect is one of controlled power and quiet confidence; the subject appears both formidable and approachable, suggesting a leader who commands respect through experience rather than overt aggression.
The lighting emphasizes the man’s face and upper body, drawing attention to his expression and attire while leaving the lower portion in relative shadow. This technique contributes to an impression of depth and complexity, hinting at a character with layers beyond what is immediately visible.